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Solution: Look for shows that match your vibe and set list. If you only have twenty minutes of music, it’s probably not time to headline, but you can definitely take part in a showcase! If there isn’t one available, create your own or hit up some open mics! If you feel you’re totally ready to go, tighten up your online presence and start reaching out to venues and promoters. If you’re new to gigging, have a support team around to keep you from panicking over broken guitar strings, and to evaluate shows and help you strengthen your skills as a performer.
SESAC does not list its collection sources on its website like the other two PROs do. But as one of the three main competing PROs it’s safe to say the organization tracks the same sources of public performance royalty activity as both ASCAP and BMI.
I find musicians make this last mistake all too often. It’s related to not seeing music as a real job. Musicians set themselves up for disaster when they don’t take their finances and contractual responsibilities seriously. Signing a bad contract has killed the careers of many musicians, and not prioritizing financial literacy even if you’re a DIY artist can be just as dangerous.
My next move was to warp out a human performance over my beats to hear what it would sound like. I tried both the Wasser and Poppen, and the Poppen sounded cooler. I did continual A/B comparisons with the MIDI version to line everything up by ear.
For Lalita, a trained cellist, she is without work indefinitely and running out of money quickly as she shares all resources with family and friends in need. Sunday night, only hours after cooking at El Local, she suffered a panic attack, she says, which led her to make an agonizingly difficult decision.
If you know you’ll have Tuesday nights free, then take that opportunity to call it a “music-making night.” Or if you have early mornings open, schedule that time for your songwriting sessions.
A mere mortal bass player might have connected the V chord to the VI- by playing the note in between the roots of each. But Paul McCartney starts the sequence two beats early, playing the root of the V and going down a half step before his three-note climb, resulting in a five-note run that fills out the entire gap in the vocals. Of course, little did I know at the time that this famous mop-top had gone on to be one of the most influential bass players ever.
The tritone is a mainstay interval of heavy, dissonant rock riffage. In a most classic example, Black Sabbath’s self-titled song “Black Sabbath” (off the self-titled record, Black Sabbath) hits us with this massively dissonant tritone as soon as the band enters at 0:36, first jumping an octave before descending a gnarly diminished fifth, aiming to invoke the unequivocal power of the devil. The first time features a fast trill on the guitar, with a cleaner example of the interval at 0:47.
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You may know the theremin as the sci-fi sound of aliens and robots, but it’s been used by composers all over the world in concert music too. Let’s explore!
It turns out a lot of those Disney movies were scored by the same person, Alan Menken. Perhaps he was anticipating that this music would eventually lock inside his audience’s subconscious when he wrote it!
Kakashi is another example of a great record that went into obscurity after its first pressing only to be dug out and rereleased by Better Days and Jet Set Records. Shimizu, a saxophonist and composer, worked with all kinds of musicians and collaborators, including Sakamoto and even artist Nam-June Paik. This record is deeply hypnotic and visits all kinds of soundscapes throughout, always with the saxophone placed at the center of attention.
The Ray Charles project is called Au Palais des Sports-Live and was recorded in 1961 during his first European tour! The Serge Gainsbourg project, Premiers Tubes-Live, is composed of two live-on-radio sets recorded in 1961 and 1962 and contains an exclusive interview with Juliette Gréco, another French icon from that period. And thirdly, Premières Scènes-Live is a recording of Dalida’s first appearances on stage at the renowned Olympia in 1961 and on the radio show Discoparade in 1962.
People often forget that their bodies need them to compensate with fluid intake anytime you increase your physical activity (e.g. during a workout, when dancing, or just any time you sweat a lot). Also, consider what happens when you’re performing on stage under the hot lights: lots of movement, hot rooms, nervousness, which all cause perspiration, so it’s important to plan additional water intake when engaging in these types of activities.